Franz Kafka

Saturday, October 19, 2019

"Love Unrippled" by Anton Chekhiv, from "Letters of Anton Chekhov to His Family and Friends by Anton Pavlovich Chekhov"



TO MADAME M. V. KISELYOV.

BABKINO,
June, 1886.


LOVE UNRIPPLED 
 (A NOVEL) Part I.

It was noon.... The setting sun with its crimson, fiery rays gilded
the tops of pines, oaks, and fir-trees.... It was still; only in the
air the birds were singing, and in the distance a hungry wolf howled
mournfully.... The driver turned round and said:

“More snow has fallen, sir.”

“What?”

“I say, more snow has fallen.”

“Ah!”

Vladimir Sergeitch Tabatchin, who is the hero of our story, looked for
the last time at the sun and expired.

       *       *       *       *       *

A week passed.... Birds and corncrakes hovered, whistling, over a
newly-made grave. The sun was shining. A young widow, bathed in tears,
was standing by, and in her grief sopping her whole handkerchief....




MOSCOW,
September 21, 1886.


... It is not much fun to be a great writer. To begin with, it’s a dreary
life. Work from morning till night and not much to show for it. Money is as
scarce as cats’ tears. I don’t know how it is with Zola and Shtchedrin, but
in my flat it is cold and smoky.... They give me cigarettes, as before, on
holidays only. Impossible cigarettes! Hard, damp, sausage-like. Before I
begin to smoke I light the lamp, dry the cigarette over it, and only then I
begin on it; the lamp smokes, the cigarette splutters and turns brown, I
burn my fingers ... it is enough to make one shoot oneself!

... I am more or less ill, and am gradually turning into a dried
dragon-fly.

... I go about as festive as though it were my birthday, but to judge from
the critical glances of the lady cashier at the _Budilnik_, I am not
dressed in the height of fashion, and my clothes are not brand-new. I go in
buses, not in cabs.

But being a writer has its good points. In the first place, my book, I
hear, is going rather well; secondly, in October I shall have money;
thirdly, I am beginning to reap laurels: at the refreshment bars people
point at me with their fingers, they pay me little attentions and treat me
to sandwiches. Korsh caught me in his theatre and straight away presented
me with a free pass.... My medical colleagues sigh when they meet me,
begin to talk of literature and assure me that they are sick of medicine.
And so on....




September 29.


... Life is grey, there are no happy people to be seen.... Life is a nasty
business for everyone. When I am serious I begin to think that people who
have an aversion for death are illogical. So far as I understand the order
of things, life consists of nothing but horrors, squabbles, and
trivialities mixed together or alternating!




December 3.


This morning an individual sent by Prince Urusov turned up and asked me for
a short story for a sporting magazine edited by the said Prince. I refused,
of course, as I now refuse all who come with supplications to the foot of
my pedestal. In Russia there are now two unattainable heights: Mount
Elborus and myself.

The Prince’s envoy was deeply disappointed by my refusal, nearly died of
grief, and finally begged me to recommend him some writers who are versed
in sport. I thought a little, and very opportunely remembered a lady writer
who dreams of glory and has for the last year been ill with envy of my
literary fame. In short, I gave him your address.... You might write a
story “The Wounded Doe”--you remember, how the huntsmen wound a doe; she
looks at them with human eyes, and no one can bring himself to kill her.
It’s not a bad subject, but dangerous because it is difficult to avoid
sentimentality--you must write it like a report, without pathetic phrases,
and begin like this: “On such and such a date the huntsmen in the Daraganov
forest wounded a young doe....” And if you drop a tear you will strip the
subject of its severity and of everything worth attention in it.




December 13.


... With your permission I steal out of your last two letters to my sister
two descriptions of nature for my stories. It is curious that you have
quite a masculine way of writing. In every line (except when dealing with
children) you are a man! This, of course, ought to flatter your vanity, for
speaking generally, men are a thousand times better than women, and
superior to them.

In Petersburg I was resting--i.e., for days together I was rushing about
town paying calls and listening to compliments which my soul abhors. Alas
and alack! In Petersburg I am becoming fashionable like Nana. While
Korolenko, who is serious, is hardly known to the editors, my twaddle is
being read by all Petersburg. Even the senator G. reads me.... It is
gratifying, but my literary feeling is wounded. I feel ashamed of the
public which runs after lap-dogs simply because it fails to notice
elephants, and I am deeply convinced that not a soul will know me when I
begin to work in earnest.




TO HIS BROTHER NIKOLAY.

MOSCOW,
1886.


... You have often complained to me that people “don’t understand you”!
Goethe and Newton did not complain of that.... Only Christ complained of
it, but He was speaking of His doctrine and not of Himself.... People
understand you perfectly well. And if you do not understand yourself, it is
not their fault.

I assure you as a brother and as a friend I understand you and feel for you
with all my heart. I know your good qualities as I know my five fingers; I
value and deeply respect them. If you like, to prove that I understand you,
I can enumerate those qualities. I think you are kind to the point of
softness, magnanimous, unselfish, ready to share your last farthing; you
have no envy nor hatred; you are simple-hearted, you pity men and beasts;
you are trustful, without spite or guile, and do not remember evil.... You
have a gift from above such as other people have not: you have talent. This
talent places you above millions of men, for on earth only one out of two
millions is an artist. Your talent sets you apart: if you were a toad or a
tarantula, even then, people would respect you, for to talent all things
are forgiven.

You have only one failing, and the falseness of your position, and
your unhappiness and your catarrh of the bowels are all due to it.
That is your utter lack of culture. Forgive me, please, but _veritas
magis amicitiae...._ You see, life has its conditions. In order to
feel comfortable among educated people, to be at home and happy with
them, one must be cultured to a certain extent. Talent has brought you
into such a circle, you belong to it, but ... you are drawn away from
it, and you vacillate between cultured people and the lodgers _vis-a-vis._

Cultured people must, in my opinion, satisfy the following conditions:

1. They respect human personality, and therefore they are always kind,
gentle, polite, and ready to give in to others. They do not make a row
because of a hammer or a lost piece of india-rubber; if they live with
anyone they do not regard it as a favour and, going away, they do not say
“nobody can live with you.” They forgive noise and cold and dried-up meat
and witticisms and the presence of strangers in their homes.

2. They have sympathy not for beggars and cats alone. Their heart aches for
what the eye does not see.... They sit up at night in order to help P....,
to pay for brothers at the University, and to buy clothes for their mother.

3. They respect the property of others, and therefor pay their debts.

4. They are sincere, and dread lying like fire. They don’t lie even in
small things. A lie is insulting to the listener and puts him in a lower
position in the eyes of the speaker. They do not pose, they behave in the
street as they do at home, they do not show off before their humbler
comrades. They are not given to babbling and forcing their uninvited
confidences on others. Out of respect for other people’s ears they more
often keep silent than talk.

5. They do not disparage themselves to rouse compassion. They do not play
on the strings of other people’s hearts so that they may sigh and make much
of them. They do not say “I am misunderstood,” or “I have become
second-rate,” because all this is striving after cheap effect, is vulgar,
stale, false....

6. They have no shallow vanity. They do not care for such false diamonds as
knowing celebrities, shaking hands with the drunken P., [Translator’s Note:
Probably Palmin, a minor poet.] listening to the raptures of a stray
spectator in a picture show, being renowned in the taverns.... If they do a
pennyworth they do not strut about as though they had done a hundred
roubles’ worth, and do not brag of having the entry where others are not
admitted.... The truly talented always keep in obscurity among the crowd,
as far as possible from advertisement.... Even Krylov has said that an
empty barrel echoes more loudly than a full one.

7. If they have a talent they respect it. They sacrifice to it rest, women,
wine, vanity.... They are proud of their talent.... Besides, they are
fastidious.

8. They develop the aesthetic feeling in themselves. They cannot go to
sleep in their clothes, see cracks full of bugs on the walls, breathe bad
air, walk on a floor that has been spat upon, cook their meals over an oil
stove. They seek as far as possible to restrain and ennoble the sexual
instinct.... What they want in a woman is not a bed-fellow ... They do not
ask for the cleverness which shows itself in continual lying. They want
especially, if they are artists, freshness, elegance, humanity, the
capacity for motherhood.... They do not swill vodka at all hours of the day
and night, do not sniff at cupboards, for they are not pigs and know they
are not. They drink only when they are free, on occasion.... For they want
_mens sana in corpore sano._

And so on. This is what cultured people are like. In order to be cultured
and not to stand below the level of your surroundings it is not enough to
have read “The Pickwick Papers” and learnt a monologue from “Faust.” ...

What is needed is constant work, day and night, constant reading, study,
will.... Every hour is precious for it.... Come to us, smash the vodka
bottle, lie down and read.... Turgenev, if you like, whom you have not
read.

You must drop your vanity, you are not a child ... you will soon be thirty.
It is time!

I expect you.... We all expect you.

    

Monday, October 7, 2019

"Il bove" (The Ox) by Giovanni Pascoli, from the collection "Myricae" (1891)


Cart with Black Ox, or The Ox-Cart (1884) by Vincent van Gogh

The Ox



Through vague haze, at the thin river
looks the ox, with big eyes: in the pasture
that recedes, to an ever-farther sea
run the waters of a cerulean river;

they magnify in his eyes, in the dust of
the light, the willow and the alder;
on the grass a herd of sheep passes by little by little
and it seems the herd of the ancient God:

wide wings conjure up rapacious sketches
in the air; silent chimeras float,
similar to clouds, in the deep heavens;

the immense sun behind the mountains
sets, tremendously high: they already grow,  black,
the greater shadows of greater worlds.







Il Bove



Al rio sottile, di tra vaghe brume,
guarda il bove, coi grandi occhi: nel piano
che fugge, a un mare sempre più lontano
migrano l’acque d’un ceruleo fiume;

ingigantisce agli occhi suoi, nel lume
pulverulento, il salice e l’ontano;
svaria su l’erbe un gregge a mano a mano,
e par la mandra dell’antico nume:

ampie ali aprono imagini grifagne
nell’aria; vanno tacite chimere,
simili a nubi, per il ciel profondo;

il sole immenso, dietro le montagne
cala, altissime: crescono già, nere,
l’ombre più grandi d’un più grande mondo.


From the collection “Myricae” (1891-1900)



Wednesday, September 25, 2019

Gabriele D’Annunzio: The Collection of Poems in English



The most comprehensive English translation of the poetry of Gabriele D'Annunzio.

Gabriele D'Annunzio, Prince of Montenevoso, Duke of Gallese (12 March 1863 – 1 March 1938), was an Italian poet, journalist, playwright and soldier during World War I. He occupied a prominent place in Italian literature from 1889 to 1910 and later political life from 1914 to 1924. He was often referred to under the epithets Il Vate ("the Poet") or Il Profeta ("the Prophet").
 Available as eBook on Amazon Kindle and Kobo, and as printed edition on Amazon and Lulu. 

Thursday, September 12, 2019

"I Pastori" (The Shepherds), by Gabriele D'Annunzio (1903). English translation. "Settembre, andiamo, è tempo di migrar..."

Gabriele D'Annunzio, 12th of September 1919, in Fiume, commemoration of the "Impresa di Fiume" a self-proclaimed state in the city of Fiume (now Rijeka, Croatia) led by Gabriele d'Annunzio between 1919 and 1920. It is also known by its lyrical name in Italian: Endeavor of Fiume.


The Shepherds 

 

September, let's go. It is time to migrate.

Now in the land of Abruzzi my shepherds

leave the pens and take it to the sea:

they descend to the wild Adriatic

that is green like the pastures of the mountains.




They drank deeply at the alpine

springs, so that the flavor of native water

may dwell in their exiled hearts as a comfort,

and deceive at length their thirst on the way.

They renewed their crook of avellana. (*)

 

And so they walk the ancient path to the plain,

almost as through a silent river of grass,

following the vestiges of the forefathers.

Oh, voice of whom for the first time

knows the shimmering of the sea!




By the coastline presently walks

the flock. Motionless is the air.

The sun lights up the blonde living wool

that almost does not differ from the sand.

Splashing, stamping, sweet sounds.



Alas, why am I not with my shepherds?

(*) Corylus avellana, the Common Hazel


Original Italian version:

I pastori




Settembre, andiamo. È tempo di migrare.

Ora in terra d'Abruzzi i miei pastori

lascian gli stazzi e vanno verso il mare:

scendono all'Adriatico selvaggio

che verde è come i pascoli dei monti.



Han bevuto profondamente ai fonti

alpestri, che sapor d'acqua natia

rimanga né cuori esuli a conforto,

che lungo illuda la lor sete in via.

Rinnovato hanno verga d'avellano.



E vanno pel tratturo antico al piano,

quasi per un erbal fiume silente,

su le vestigia degli antichi padri.

O voce di colui che primamente

conosce il tremolar della marina!



Ora lungh'esso il litoral cammina

La greggia. Senza mutamento è l'aria.

Il sole imbionda sì la viva lana

che quasi dalla sabbia non divaria.

Isciacquio, calpestio, dolci romori.



Ah perché non son io cò miei pastori?
(from Alcyone, Sogni di Terre Lontane, 1903) 

Sunday, September 8, 2019

"First Love" from "First Love and Other Stories" by Ivan Turgenev, (1860) Первая любовь


FIRST LOVE 

 
 
The guests had long since departed. The clock struck half-past twelve.
There remained in the room only the host, Sergyéi Nikoláevitch, and
Vladímir Petróvitch.

The host rang and ordered the remains of the supper to be removed.--“So
then, the matter is settled,”--he said, ensconcing himself more deeply
in his arm-chair, and lighting a cigar:--“each of us is to narrate the
history of his first love. ’Tis your turn, Sergyéi Nikoláevitch.”

Sergyéi Nikoláevitch, a rather corpulent man, with a plump, fair-skinned
face, first looked at the host, then raised his eyes to the ceiling.--“I
had no first love,”--he began at last:--“I began straight off with the
second.”

“How was that?”

“Very simply. I was eighteen years of age when, for the first time, I
dangled after a very charming young lady; but I courted her as though it
were no new thing to me: exactly as I courted others afterward. To tell
the truth, I fell in love, for the first and last time, at the age of
six, with my nurse;--but that is a very long time ago. The details of
our relations have been erased from my memory; but even if I remembered
them, who would be interested in them?”

“Then what are we to do?”--began the host.--“There was nothing very
startling about my first love either; I never fell in love with any one
before Anna Ivánovna, now my wife; and everything ran as though on oil
with us; our fathers made up the match, we very promptly fell in love
with each other, and entered the bonds of matrimony without delay. My
story can be told in two words. I must confess, gentlemen, that in
raising the question of first love, I set my hopes on you, I will not
say old, but yet no longer young bachelors. Will not you divert us with
something, Vladímir Petróvitch?”

“My first love belongs, as a matter of fact, not altogether to the
ordinary category,”--replied, with a slight hesitation, Vladímir
Petróvitch, a man of forty, whose black hair was sprinkled with grey.

“Ah!”--said the host and Sergyéi Nikoláevitch in one breath.--“So much
the better.... Tell us.”

“As you like ... or no: I will not narrate; I am no great hand at
telling a story; it turns out dry and short, or long-drawn-out and
artificial. But if you will permit me, I will write down all that I
remember in a note-book, and will read it aloud to you.”

At first the friends would not consent, but Vladímir Petróvitch
insisted on having his own way. A fortnight later they came together
again, and Vladímir Sergyéitch kept his promise.

This is what his note-book contained.


I

I was sixteen years old at the time. The affair took place in the summer
of 1833.

I was living in Moscow, in my parents’ house. They had hired a villa
near the Kalúga barrier, opposite the Neskútchny Park.[2]--I was
preparing for the university, but was working very little and was not in
a hurry.

No one restricted my freedom. I had done whatever I pleased ever since I
had parted with my last French governor, who was utterly unable to
reconcile himself to the thought that he had fallen “like a bomb”
(_comme une bombe_) into Russia, and with a stubborn expression on his
face, wallowed in bed for whole days at a time. My father treated me in
an indifferently-affectionate way; my mother paid hardly any attention
to me, although she had no children except me: other cares engrossed
her. My father, still a young man and very handsome, had married her
from calculation; she was ten years older than he. My mother led a
melancholy life: she was incessantly in a state of agitation, jealousy,
and wrath--but not in the presence of my father; she was very much
afraid of him, and he maintained a stern, cold, and distant manner.... I
have never seen a man more exquisitely calm, self-confident, and
self-controlled.

I shall never forget the first weeks I spent at the villa. The weather
was magnificent; we had left town the ninth of May, on St. Nicholas’s
day. I rambled,--sometimes in the garden of our villa, sometimes in
Neskútchny Park, sometimes beyond the city barriers; I took with me some
book or other,--a course of Kaidánoff,--but rarely opened it, and
chiefly recited aloud poems, of which I knew a great many by heart. The
blood was fermenting in me, and my heart was aching--so sweetly and
absurdly; I was always waiting for something, shrinking at something,
and wondering at everything, and was all ready for anything at a
moment’s notice. My fancy was beginning to play, and hovered swiftly
ever around the selfsame image, as martins hover round a belfry at
sunset. But even athwart my tears and athwart the melancholy, inspired
now by a melodious verse, now by the beauty of the evening, there peered
forth, like grass in springtime, the joyous sensation of young, bubbling
life.

I had a saddle-horse; I was in the habit of saddling it myself, and
when I rode off alone as far as possible, in some direction, launching
out at a gallop and fancying myself a knight at a tourney--how blithely
the wind whistled in my ears!--Or, turning my face skyward, I welcomed
its beaming light and azure into my open soul.

I remember, at that time, the image of woman, the phantom of woman’s
love, almost never entered my mind in clearly-defined outlines; but in
everything I thought, in everything I felt, there lay hidden the
half-conscious, shamefaced presentiment of something new, inexpressibly
sweet, feminine....

This presentiment, this expectation permeated my whole being; I breathed
it, it coursed through my veins in every drop of blood ... it was fated
to be speedily realised.

Our villa consisted of a wooden manor-house with columns, and two tiny
outlying wings; in the wing to the left a tiny factory of cheap
wall-papers was installed.... More than once I went thither to watch how
half a score of gaunt, dishevelled young fellows in dirty smocks and
with tipsy faces were incessantly galloping about at the wooden levers
which jammed down the square blocks of the press, and in that manner, by
the weight of their puny bodies, printed the motley-hued patterns of the
wall-papers. The wing on the right stood empty and was for rent. One
day--three weeks after the ninth of May--the shutters on the windows of
this wing were opened, and women’s faces made their appearance in them;
some family or other had moved into it. I remember how, that same day at
dinner, my mother inquired of the butler who our new neighbours were,
and on hearing the name of Princess Zasyékin, said at first, not without
some respect:--“Ah! a Princess” ... and then she added:--“She must be
some poor person!”

“They came in three hired carriages, ma’am,”--remarked the butler, as he
respectfully presented a dish. “They have no carriage of their own,
ma’am, and their furniture is of the very plainest sort.”

“Yes,”--returned my mother,--“and nevertheless, it is better so.”

My father shot a cold glance at her; she subsided into silence.

As a matter of fact, Princess Zasyékin could not be a wealthy woman: the
wing she had hired was so old and tiny and low-roofed that people in the
least well-to-do would not have been willing to inhabit it.--However, I
let this go in at one ear and out at the other. The princely title had
little effect on me: I had recently been reading Schiller’s “The
Brigands.”


II

I had a habit of prowling about our garden every evening, gun in hand,
and standing guard against the crows.--I had long cherished a hatred for
those wary, rapacious and crafty birds. On the day of which I have been
speaking, I went into the garden as usual, and, after having fruitlessly
made the round of all the alleys (the crows recognised me from afar, and
merely cawed spasmodically at a distance), I accidentally approached the
low fence which separated _our_ territory from the narrow strip of
garden extending behind the right-hand wing and appertaining to it. I
was walking along with drooping head. Suddenly I heard voices: I glanced
over the fence--and was petrified.... A strange spectacle presented
itself to me.

A few paces distant from me, on a grass-plot between green
raspberry-bushes, stood a tall, graceful young girl, in a striped, pink
frock and with a white kerchief on her head; around her pressed four
young men, and she was tapping them in turn on the brow with those small
grey flowers, the name of which I do not know, but which are familiar to
children; these little flowers form tiny sacs, and burst with a pop when
they are struck against anything hard. The young men offered their
foreheads to her so willingly, and in the girl’s movements (I saw her
form in profile) there was something so bewitching, caressing, mocking,
and charming, that I almost cried aloud in wonder and pleasure; and I
believe I would have given everything in the world if those lovely
little fingers had only consented to tap me on the brow. My gun slid
down on the grass, I forgot everything, I devoured with my eyes that
slender waist, and the neck and the beautiful arms, and the slightly
ruffled fair hair, the intelligent eyes and those lashes, and the
delicate cheek beneath them....

“Young man, hey there, young man!”--suddenly spoke up a voice near
me:--“Is it permissible to stare like that at strange young ladies?”

I trembled all over, I was stupefied.... Beside me, on the other side of
the fence, stood a man with closely-clipped black hair, gazing
ironically at me. At that same moment, the young girl turned toward
me.... I beheld huge grey eyes in a mobile, animated face--and this
whole face suddenly began to quiver, and to laugh, and the white teeth
gleamed from it, the brows elevated themselves in an amusing way.... I
flushed, picked up my gun from the ground, and, pursued by ringing but
not malicious laughter, I ran to my own room, flung myself on the bed,
and covered my face with my hands. My heart was fairly leaping within
me; I felt very much ashamed and very merry: I experienced an
unprecedented emotion. 

Friday, August 16, 2019

Galline (Hens) by Giovanni Pascoli, from the collection "Myricae" (1891)



Hens



When is time for the leaves to fall, the housewife's
old heart does not ache, unlike us wretched ones:
for with lively chickens is full her farmyard;

and thick in the morning quiet
one hears the calls of the useful hens:
packed is the barnyard; sings the wine in the vat.
Around her, in the evening, sing a song
the rosy girls with pensive eyes,
as they unleaf the corn,
and romp the rascals on the rattling leaves.



 Galline



Al cader delle foglie, alla massaia
non piange il vecchio cor, come a noi grami:
che d’arguti galletti ha piena l’aia;

e spessi nella pace del mattino
delle utili galline ode i richiami:
zeppo il granaio; il vin canta nel tino.

Cantano a sera intorno a lei stornelli
le fiorenti ragazze occhi pensosi,
mentre il granturco sfogliano, e i monelli
ruzzano nei cartocci strepitosi.



From the collection “Myricae” (1891-1900)


"The Poems of Giovanni Pascoli: Translated in English, with Original Italian Text," published by LiteraryJoint Press (2017). Also available as Amazon ebook (Free on Kindle Unlimited!)  and also on Kobo.

Saturday, July 27, 2019

Nikolai Gogol's "The Government Inspector," or "The Inspector General" (Ревизор, Revizor), English Translation



I


ON 25 March an unusually strange event occurred in St. Petersburg. For
that morning Barber Ivan Yakovlevitch, a dweller on the Vozkresensky
Prospekt (his name is lost now--it no longer figures on a signboard
bearing a portrait of a gentleman with a soaped cheek, and the words:
"Also, Blood Let Here")--for that morning Barber Ivan Yakovlevitch awoke
early, and caught the smell of newly baked bread. Raising himself a
little, he perceived his wife (a most respectable dame, and one
especially fond of coffee) to be just in the act of drawing newly baked
rolls from the oven.

"Prascovia Osipovna," he said, "I would rather not have any coffee for
breakfast, but, instead, a hot roll and an onion,"--the truth being that
he wanted both but knew it to be useless to ask for two things at once,
as Prascovia Osipovna did not fancy such tricks.

"Oh, the fool shall have his bread," the dame reflected. "So much the
better for me then, as I shall be able to drink a second lot of coffee."

And duly she threw on to the table a roll.

Ivan Yakovlevitch donned a jacket over his shirt for politeness' sake,
and, seating himself at the table, poured out salt, got a couple of
onions ready, took a knife into his hand, assumed an air of importance,
and cut the roll asunder. Then he glanced into the roll's middle. To his
intense surprise he saw something glimmering there. He probed it
cautiously with the knife--then poked at it with a finger.

"Quite solid it is!" he muttered. "What in the world is it likely to
be?"

He thrust in, this time, all his fingers, and pulled forth--a nose! His
hands dropped to his sides for a moment. Then he rubbed his eyes hard.
Then again he probed the thing. A nose! Sheerly a nose! Yes, and one
familiar to him, somehow! Oh, horror spread upon his feature! Yet that
horror was a trifle compared with his spouse's overmastering wrath.

"You brute!" she shouted frantically. "Where have you cut off that nose?
You villain, you! You drunkard! Why, I'll go and report you to the
police myself. The brigand, you! Three customers have told me already
about your pulling at their noses as you shaved them till they could
hardly stand it."

But Ivan Yakovlevitch was neither alive nor dead. This was the more the
case because, sure enough, he had recognised the nose. It was the nose
of Collegiate Assessor Kovalev--no less: it was the nose of a gentleman
whom he was accustomed to shave twice weekly, on each Wednesday and each
Sunday!

"Stop, Prascovia Osipovna!" at length he said. "I'll wrap the thing in a
clout, and lay it aside awhile, and take it away altogether later."

"But I won't hear of such a thing being done! As if I'm going to have a
cut-off nose kicking about my room! Oh, you old stick! Maybe you can
just strop a razor still; but soon you'll be no good at all for the rest
of your work. You loafer, you wastrel, you bungler, you blockhead! Aye,
I'll tell the police of you. Take it away, then. Take it away. Take it
anywhere you like. Oh, that I'd never caught the smell of it!"

Ivan Yakovlevitch was dumbfounded. He thought and thought, but did not
know what to think.

"The devil knows how it's happened," he said, scratching one ear. "You
see, I don't know for certain whether I came home drunk last night or
not. But certainly things look as though something out of the way
happened then, for bread comes of baking, and a nose of something else
altogether. Oh, I just can't make it out."

So he sat silent. At the thought that the police might find the nose at
his place, and arrest him, he felt frantic. Yes, already he could see
the red collar with the smart silver braiding--the sword! He shuddered
from head to foot.

But at last he got out, and donned waistcoat and shoes, wrapped the nose
in a clout, and departed amid Prascovia Osipovna's forcible
objurgations.

His one idea was to rid himself of the nose, and return quietly home--to
do so either by throwing the nose into the gutter in front of the gates
or by just letting it drop anywhere. Yet, unfortunately, he kept meeting
friends, and they kept saying to him: "Where are you off to?" or "Whom
have you arranged to shave at this early hour?" until seizure of a
fitting moment became impossible. Once, true, he did succeed in dropping
the thing, but no sooner had he done so than a constable pointed at him
with his truncheon, and shouted: "Pick it up again! You've lost
something," and he perforce had to take the nose into his possession
once more, and stuff it into a pocket. Meanwhile his desperation grew in
proportion as more and more booths and shops opened for business, and
more and more people appeared in the street.

At last he decided that he would go to the Isaakievsky Bridge, and throw
the thing, if he could, into the Neva. But here let me confess my fault
in not having said more about Ivan Yakovlevitch himself, a man estimable
in more respects than one.

Like every decent Russian tradesman, Ivan Yakovlevitch was a terrible
tippler. Daily he shaved the chins of others, but always his own was
unshorn, and his jacket (he never wore a top-coat) piebald--black,
thickly studded with greyish, brownish-yellowish stains--and shiny of
collar, and adorned with three pendent tufts of thread instead of
buttons. But, with that, Ivan Yakovlevitch was a great cynic. Whenever
Collegiate Assessor Kovalev was being shaved, and said to him, according
to custom: "Ivan Yakovlevitch, your hands do smell!" he would retort:
"But why should they smell?" and, when the Collegiate Assessor had
replied: "Really I do not know, brother, but at all events they do,"
take a pinch of snuff, and soap the Collegiate Assessor upon cheek, and
under nose, and behind ears, and around chin at his good will and
pleasure.

So the worthy citizen stood on the Isaakievsky Bridge, and looked about
him. Then, leaning over the parapet, he feigned to be trying to see if
any fish were passing underneath. Then gently he cast forth the nose.

At once ten puds-weight seemed to have been lifted from his shoulders.
Actually he smiled! But, instead of departing, next, to shave the chins
of chinovniki, he bethought him of making for a certain establishment
inscribed "Meals and Tea," that he might get there a glassful of punch.

Suddenly he sighted a constable standing at the end of the bridge, a
constable of smart appearance, with long whiskers, a three-cornered hat,
and a sword complete. Oh, Ivan Yakovlevitch could have fainted! Then the
constable, beckoning with a finger, cried:

"Nay, my good man. Come here."

Ivan Yaklovlevitch, knowing the proprieties, pulled off his cap at quite
a distance away, advanced quickly, and said:

"I wish your Excellency the best of health."

"No, no! None of that `your Excellency,' brother. Come and tell me what
you have been doing on the bridge."

"Before God, sir, I was crossing it on my way to some customers when I
peeped to see if there were any fish jumping."

"You lie, brother! You lie! You won't get out of it like that. Be so
good as to answer me truthfully."

"Oh, twice a week in future I'll shave you for nothing. Aye, or even
three times a week."

"No, no, friend. That is rubbish. Already I've got three barbers for the
purpose, and all of them account it an honour. Now, tell me, I ask
again, what you have just been doing?"

This made Ivan Yakovlevitch blanch, and----

Further events here become enshrouded in mist. What happened after that
is unknown to all men.



II

COLLEGIATE ASSESSOR KOVALEV also awoke early that morning. And when he
had done so he made the "B-r-rh!" with his lips which he always did when
he had been asleep--he himself could not have said why. Then he
stretched himself, had handed to him a small mirror from the table near
by, and set himself to inspect a pimple which had broken out on his nose
the night before. But, to his unbounded astonishment, there was only a
flat patch on his face where the nose should have been! Greatly alarmed,
he called for water, washed, and rubbed his eyes hard with the towel.
Yes, the nose indeed was gone! He prodded the spot with a hand-pinched
himself to make sure that he was not still asleep. But no; he was not
still sleeping. Then he leapt from the bed, and shook himself. No nose
had he on him still! Finally, he bade his clothes be handed him, and set
forth for the office of the Police Commissioner at his utmost speed.

Here let me add something which may enable the reader to perceive just
what the Collegiate Assessor was like. Of course, it goes without saying
that Collegiate Assessors who acquire the title with the help of
academic diplomas cannot be compared with Collegiate Assessors who
become Collegiate Assessors through service in the Caucasus, for the two
species are wholly distinct, they are----Stay, though. Russia is so
strange a country that, let one but say anything about any one
Collegiate Assessor, and the rest, from Riga to Kamchatka, at once apply
the remark to themselves--for all titles and all ranks it means the same
thing. Now, Kovalev was a "Caucasian" Collegiate Assessor, and had, as
yet, borne the title for two years only. Hence, unable ever to forget
it, he sought the more to give himself dignity and weight by calling
himself, in addition to "Collegiate Assessor," "Major."

"Look here, good woman," once he said to a shirts' vendor whom he met in
the street, "come and see me at my home. I have my flat in Sadovaia
Street. Ask merely, `Is this where Major Kovalev lives?' Anyone will
show you." Or, on meeting fashionable ladies, he would say: "My dear
madam, ask for Major Kovalev's flat." So we too will call the Collegiate
Assessor "Major."

Major Kovalev had a habit of daily promenading the Nevsky Prospekt in an
extremely clean and well-starched shirt and collar, and in whiskers of
the sort still observable on provincial surveyors, architects,
regimental doctors, other officials, and all men who have round, red
cheeks, and play a good hand at "Boston." Such whiskers run across the
exact centre of the cheek--then head straight for the nose. Again, Major
Kovalev always had on him a quantity of seals, both of seals engraved
with coats of arms, and of seals inscribed "Wednesday," "Thursday,"
"Monday," and the rest. And, finally, Major Kovalev had come to live in
St. Petersburg because of necessity. That is to say, he had come to live
in St. Petersburg because he wished to obtain a post befitting his new
title--whether a Vice-Governorship or, failing that, an
Administratorship in a leading department. Nor was Major Kovalev
altogether set against marriage. Merely he required that his bride
should possess not less than two hundred thousand rubles in capital. The
reader, therefore, can now judge how the Major was situated when he
perceived that instead of a not unpresentable nose there was figuring on
his face an extremely uncouth, and perfectly smooth and uniform patch.

Ill luck prescribed, that morning, that not a cab was visible throughout
the street's whole length; so, huddling himself up in his cloak, and
covering his face with a handkerchief (to make things look as though his
nose were bleeding), he had to start upon his way on foot only.

"Perhaps this is only imagination?" he reflected. Presently he turned
aside towards a restaurant (for he wished yet again to get a sight of
himself in a mirror). "The nose can't have removed itself of sheer
idiocy."

Luckily no customers were present in the restaurant--merely some waiters
were sweeping out the rooms, and rearranging the chairs, and others,
sleepy-eyed fellows, were setting forth trayfuls of hot pastries. On
chairs and tables last night's newspapers, coffee-stained, were strewn.

"Thank God that no one is here!" the Major reflected. "Now I can look at
myself again."

He approached a mirror in some trepidation, and peeped therein. Then he
spat.

"The devil only knows what this vileness means!" he muttered. "If even
there had been something to take the nose's place! But, as it is,
there's nothing there at all."

He bit his lips with vexation, and hurried out of the restaurant. No; as
he went along he must look at no one, and smile at no one. Then he
halted as though riveted to earth. For in front of the doors of a
mansion he saw occur a phenomenon of which, simply, no explanation was
possible. Before that mansion there stopped a carriage. And then a door
of the carriage opened, and there leapt thence, huddling himself up, a
uniformed gentleman, and that uniformed gentleman ran headlong up the
mansion's entrance-steps, and disappeared within. And oh, Kovalev's
horror and astonishment to perceive that the gentleman was none other
than--his own nose! The unlooked-for spectacle made everything swim
before his eyes. Scarcely, for a moment, could he even stand. Then,
deciding that at all costs he must await the gentleman's return to the
carriage, he remained where he was, shaking as though with fever. Sure
enough, the Nose did return, two minutes later. It was clad in a
gold-braided, high-collared uniform, buckskin breeches, and cockaded
hat. And slung beside it there was a sword, and from the cockade on the
hat it could be inferred that the Nose was purporting to pass for a
State Councillor. It seemed now to be going to pay another visit
somewhere. At all events it glanced about it, and then, shouting to the
coachman, "Drive up here," re-entered the vehicle, and set forth.

Poor Kovalev felt almost demented. The astounding event left him utterly
at a loss. For how could the nose which had been on his face but
yesterday, and able then neither to drive nor to walk independently, now
be going about in uniform?--He started in pursuit of the carriage,
which, luckily, did not go far, and soon halted before the Gostiny
Dvor.[*]

[* Formerly the "Whiteley's" of St. Petersburg.]

Kovalev too hastened to the building, pushed through the line of old
beggar-women with bandaged faces and apertures for eyes whom he had so
often scorned, and entered. Only a few customers were present, but
Kovalev felt so upset that for a while he could decide upon no course of
action save to scan every corner in the gentleman's pursuit. At last he
sighted him again, standing before a counter, and, with face hidden
altogether behind the uniform's stand-up collar, inspecting with
absorbed attention some wares.

"How, even so, am I to approach it?" Kovalev reflected. "Everything
about it, uniform, hat, and all, seems to show that it is a State
Councillor now. Only the devil knows what is to be done!"

He started to cough in the Nose's vicinity, but the Nose did not change
its position for a single moment.

"My good sir," at length Kovalev said, compelling himself to boldness,
"my good sir, I----"

"What do you want?" And the Nose did then turn round.

"My good sir, I am in a difficulty. Yet somehow, I think, I think,
that--well, I think that you ought to know your proper place better. All
at once, you see, I find you--_where_? Do you not feel as I do about
it?"

"Pardon me, but I cannot apprehend your meaning. Pray explain further."

"Yes, but how, I should like to know?" Kovalev thought to himself. Then,
again taking courage, he went: on:

"I am, you see--well, in point of fact, you see, I am a Major. Hence you
will realise how unbecoming it is for me to have to walk about without a
nose. Of course, a peddler of oranges on the Vozkresensky Bridge could
sit there noseless well enough, but I myself am hoping soon to receive
a----Hm, yes. Also, I have amongst my acquaintances several ladies of
good houses (Madame Chektareva, wife of the State Councillor, for
example), and you may judge for yourself what that alone signifies. Good
sir"--Major Kovalev gave his shoulders a shrug--"I do not know whether
you yourself (pardon me) consider conduct of this sort to be altogether
in accordance with the rules of duty and honour, but at least you can
understand that----"

"I understand nothing at all," the Nose broke in. "Explain yourself more
satisfactorily."

"Good sir," Kovalev went on with a heightened sense of dignity, "the one
who is at a loss to understand the other is I. But at least the
immediate point should be plain, unless you are determined to have it
otherwise. Merely--you are my own nose."

The Nose regarded the Major, and contracted its brows a little.

"My dear sir, you speak in error," was its reply. "I am just
myself--myself separately. And in any case there cannot ever have
existed a close relation between us, for, judging from the buttons of
your undress uniform, your service is being performed in another
department than my own."

And the Nose definitely turned away.

Kovalev stood dumbfounded. What to do, even what to think, he had not a
notion.

Presently the agreeable swish of ladies' dresses began to be heard. Yes,
an elderly, lace-bedecked dame was approaching, and, with her, a slender
maiden in a white frock which outlined delightfully a trim figure, and,
above it, a straw hat of a lightness as of pastry. Behind them there
came, stopping every now and then to open a snuffbox, a tall, whiskered
beau in quite a twelve-fold collar.

Kovalev moved a little nearer, pulled up the collar of his shirt,
straightened the seals on his gold watch-chain, smiled, and directed
special attention towards the slender lady as, swaying like a floweret
in spring, she kept raising to her brows a little white hand with
fingers almost of transparency. And Kovalev's smiles became broader
still when peeping from under the hat he saw there to be an alabaster,
rounded little chin, and part of a cheek flushed like an early rose. But
all at once he recoiled as though scorched, for all at once he had
remembered that he had not a nose on him, but nothing at all. So, with
tears forcing themselves upwards, he wheeled about to tell the uniformed
gentleman that he, the uniformed gentleman, was no State Councillor, but
an impostor and a knave and a villain and the Major's own nose. But the
Nose, behold, was gone! That very moment had it driven away to,
presumably, pay another visit.

This drove Kovalev to the last pitch of desperation. He went back to the
mansion, and stationed himself under its portico, in the hope that, by
peering hither and thither, hither and thither, he might once more see
the Nose appear. But, well though he remembered the Nose's cockaded hat
and gold-braided uniform, he had failed at the time to note also its
cloak, the colour of its horses, the make of its carriage, the look of
the lackey seated behind, and the pattern of the lackey's livery.
Besides, so many carriages were moving swiftly up and down the street
that it would have been impossible to note them all, and equally so to
have stopped any one of them. Meanwhile, as the day was fine and sunny,
the Prospekt was thronged with pedestrians also--a whole kaleidoscopic
stream of ladies was flowing along the pavements, from Police
Headquarters to the Anitchkin Bridge. There one could descry an Aulic
Councillor whom Kovalev knew well. A gentleman he was whom Kovalev
always addressed as "Lieutenant-Colonel," and especially in the presence
of others. And there there went Yaryzhkin, Chief Clerk to the Senate, a
crony who always rendered forfeit at "Boston" on playing an eight. And,
lastly, a like "Major" with Kovalev, a like "Major" with an Assessorship
acquired through Caucasian service, started to beckon to Kovalev with a
finger!

"The devil take him!" was Kovalev's muttered comment. "Hi, cabman! Drive
to the Police Commissioner's direct."

But just when he was entering the drozhki he added:

"No. Go by Ivanovskaia Street."

"Is the Commissioner in?" he asked on crossing the threshold.

"He is not," was the doorkeeper's reply. "He's gone this very moment."

"There's luck for you!"

"Aye," the doorkeeper went on. "Only just a moment ago he was off. If
you'd been a bare half-minute sooner you'd have found him at home,
maybe."

Still holding the handkerchief to his face, Kovalev returned to the cab,
and cried wildly:

"Drive on!"

"Where to, though?" the cabman inquired.

"Oh, straight ahead!"

"'Straight ahead'? But the street divides here. To right, or to left?"

The question caused Kovalov to pause and recollect himself. In his
situation he ought to make his next step an application to the Board of
Discipline--not because the Board was directly connected with the
police, but because its dispositions would be executed more speedily
than in other departments. To seek satisfaction of the the actual
department in which the Nose had declared itself to be serving would be
sheerly unwise, since from the Nose's very replies it was clear that it
was the sort of individual who held nothing sacred, and, in that event,
might lie as unconscionably as it had lied in asserting itself never to
have figured in its proprietor's company. Kovalev, therefore, decided to
seek the Board of Discipline. But just as he was on the point of being
driven thither there occurred to him the thought that the impostor and
knave who had behaved so shamelessly during the late encounter might
even now be using the time to get out of the city, and that in that case
all further pursuit of the rogue would become vain, or at all events
last for, God preserve us! a full month. So at last, left only to the
guidance of Providence, the Major resolved to make for a newspaper
office, and publish a circumstantial description of the Nose in such
good time that anyone meeting with the truant might at once be able
either to restore it to him or to give information as to its
whereabouts. So he not only directed the cabman to the newspaper office,
but, all the way thither, prodded him in the back, and shouted: "Hurry
up, you rascal! Hurry up, you rogue!" whilst the cabman intermittently
responded: "Aye, barin," and nodded, and plucked at the reins of a steed
as shaggy as a spaniel.

The moment that the drozhki halted Kovalev dashed, breathless, into a
small reception-office. There, seated at a table, a grey-headed clerk in
ancient jacket and pair of spectacles was, with pen tucked between lips,
counting sums received in copper.

"Who here takes the advertisements?" Kovalev exclaimed as he entered.
"A-ah! Good day to you."

"And my respects," the grey-headed clerk replied, raising his eyes for
an instant, and then lowering them again to the spread out copper heaps.

"I want you to publish----"

"Pardon--one moment." And the clerk with one hand committed to paper a
figure, and with a finger of the other hand shifted two accounts
markers. Standing beside him with an advertisement in his hands, a
footman in a laced coat, and sufficiently smart to seem to be in service
in an aristocratic mansion, now thought well to display some
knowingness.

"Sir," he said to the clerk, "I do assure you that the puppy is not
worth eight grivni even. At all events _I_ wouldn't give that much for
it. Yet the countess loves it--yes, just loves it, by God! Anyone
wanting it of her will have to pay a hundred rubles. Well, to tell the
truth between you and me, people's tastes differ. Of course, if one's a
sportsman one keeps a setter or a spaniel. And in that case don't you
spare five hundred rubles, or even give a thousand, if the dog is a good
one."

The worthy clerk listened with gravity, yet none the less accomplished a
calculation of the number of letters in the advertisement brought. On
either side there was a group of charwomen, shop assistants,
doorkeepers, and the like. All had similar advertisements in their
hands, with one of the documents to notify that a coachman of good
character was about to be disengaged, and another one to advertise a
koliaska imported from Paris in 1814, and only slightly used since, and
another one a maid-servant of nineteen experienced in laundry work, but
prepared also for other jobs, and another one a sound drozhki save that
a spring was lacking, and another one a grey-dappled, spirited horse of
the age of seventeen, and another one some turnip and radish seed just
received from London, and another one a country house with every
amenity, stabling for two horses, and sufficient space for the laying
out of a fine birch or spruce plantation, and another one some
second-hand footwear, with, added, an invitation to attend the daily
auction sale from eight o'clock to three. The room where the company
thus stood gathered together was small, and its atmosphere confined; but
this closeness, of course, Collegiate Assessor Kovalev never perceived,
for, in addition to his face being muffled in a handkerchief, his nose
was gone, and God only knew its present habitat!

"My dear sir," at last he said impatiently, "allow me to ask you
something: it is a pressing matter."

"One moment, one moment! Two rubles, forty-three kopeks. Yes, presently.
Sixty rubles, four kopeks."

With which the clerk threw the two advertisements concerned towards the
group of charwomen and the rest, and turned to Kovalev.

"Well?" he said. "What do you want?"

"Your pardon," replied Kovalev, "but fraud and knavery has been done. I
still cannot understand the affair, but wish to announce that anyone
returning me the rascal shall receive an adequate reward."

"Your name, if you would be so good?"

"No, no. What can my name matter? I cannot tell it you. I know many
acquaintances such as Madame Chektareva (wife of the State Councillor)
and Pelagea Grigorievna Podtochina (wife of the Staff-Officer), and, the
Lord preserve us, they would learn of the affair at once. So say just `a
Collegiate Assessor,' or, better, `a gentleman ranking as Major.'"

"Has a household serf of yours absconded, then?"

"A household serf of mine? As though even a household serf would
perpetrate such a crime as the present one! No, indeed! It is my nose
that has absconded from me."

"Gospodin Nossov, Gospoding Nossov? Indeed a strange name, that![*] Then
has this Gospodin Nossov robbed you of some money?"

[* Nose is _noss_ in Russian, and Gospodin equivalent to the English
"Mr."]

"I said nose, not Nossov. You are making a mistake. There has
disappeared, goodness knows whither, my nose, my own actual nose.
Presumably it is trying to make a fool of me."

"But how could it so disappear? The matter has something about it which
I do not fully understand."

"I cannot tell you the exact how. The point is that now the nose is
driving about the city, and giving itself out for a State Councillor
--wherefore I beg you to announce that anyone apprehending any such nose
ought at once, in the shortest possible space of time, to return it to
myself. Surely you can judge what it is for me meanwhile to be lacking
such a conspicuous portion of my frame? For a nose is not like a toe
which one can keep inside a boot, and hide the absence of if it is not
there. Besides, every Thurdsay I am due to call upon Madame Chektareva
(wife of the State Councillor): whilst Pelagea Grigorievna Podtochina
(wife of the Staff-Officer, mother of a pretty daughter) also is one of
my closest acquaintances. So, again, judge for yourself how I am
situated at present. In such a condition as this I could not possibly
present myself before the ladies named."

Upon that the clerk became thoughtful: the fact was clear from his
tightly compressed lips alone.

"No," he said at length. "Insert such an announcement I cannot."

"But why not?"

"Because, you see, it might injure the paper's reputation. Imagine if
everyone were to start proclaiming a disappearance of his nose! People
would begin to say that, that--well, that we printed absurdities and
false tales."